
This post is the last in a series on Hot Docs 2014 films that reorganize and reimagine the limits of documentary. Viewers familiar with Swedish filmmaker Göran Hugo Olsson’s 2011 The Black Power Mixtape will be already acquainted with three of the narrative and formal tropes also present in his follow-up film, Concerning Violence: Nine Scenes from the Anti-Imperialistic Self-Defence—racialized...