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Self-Love
I do not know if I was given James Herriot books to read as a child because I wanted to be a veterinarian or if I wanted to be a veterinarian because I was given James Herriot books to read as a child but at one point in the books or maybe all the time…
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We All Feel So Foolish: A TRB Spring Party
On April 4, please join The Toronto Review of Books in feeling foolish during five five-minute readings by some of Toronto’s best writers—Jessica Westhead, Heather Birrell, Rebecca Rosenblum, Mark Sampson, and Antanas Sileika. Compare notes on folly over drinks in good company afterwards. Please join us! All fools welcome. Tuesday April 4, 7pm Poetry Jazz Café,…
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A Book with a View: TRB Live, March
The medium is the message in this month’s roundup of literary film, art, music, and mediations, along with innovative programming from local reading series, a preview of Ottawa’s VERSeFest, and more. On March 8, as part of the McLuhan Salon series, visual artist Catherine Richards and film and media scholar Alanna Thain join moderator Janine…
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Jordan Abel’s Reading Life: 40 Pounds of Poetry
Welcome to our new series, Reading Life, in which we’ll be asking writers and other makers to share insights into their lives as readers—what they read and how much, where they read and why. Some great authors will be telling the TRB about the books they love, the books they can’t do without, and the…
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Nuannaarpoq: Thomas Wharton’s Every Blade of Grass
In all of his literary fiction, Thomas Wharton speculates on one question: what is a book? Answers are as various as books themselves. Wharton imagines fantastic books: books as pinwheels and books nested inside books until they were too tiny even to read. Audio-books and graphic novels stretch books in the direction of the purely…
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Breaking Down the Charm of Philip Sassoon
A review of Charmed Life, the Phenomenal World of Philip Sassoon (HarperCollins, 2016) by Damian Collins In 1913, political satirist Max Beerbohm depicted a slender, aquiline figure posed cross-legged and lotus-like on the front bench of the British Houses of Parliament. Alongside him are two plump and bellowing Conservative MPs. The caricature was called “Philip Sassoon…
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1000 Poems Per Night: TRB Live, January
Happy New Year! 2017 begins with a packed list of Toronto readings and events. Rowers Reading Series gets things moving on January 10 with a night of poetry and prose by Joan Crate, Adebe DeRango-Adem, Jacob McArthur Mooney, and Hoa Nguyen (6:30pm, Supermarket, 268 Augusta Avenue). Circle January 11 on your calendar for back-to-back readings. At 6:30pm at…
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Reading in Electronic Times: Andrew Piper’s “Book Was There” Was Here
People who write about the future of reading often like to disavow shallow binaries, like print versus digital, for example. Yet it is the searing awareness of that very binary, that paper books are very different from screens, that gets people into the predicament of writing books about the meaning and value of books in…
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TRB’s Seasonal Affective Party: December 6 at Poetry
The Toronto Review of Books invites you to its first Seasonal Affective Party! Please join us on December 6th for a very bright night of winterish commiseration and cheer, featuring five-minute readings of new and unpublished work by some of our city’s most talented writers, including Kerry Clare, Andrew Pyper, Trevor Corkum, and Catherine Graham. TRB…
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To the Lighthouse: A review of Christy Ann Conlin’s new novel, The Memento
Christy Ann Conlin, the author of Heave, has published her second novel, and the result is nothing short of dazzling. The Memento is as much a gothic, often mordantly funny meditation on the persistence of memory as a living, perhaps undead thing, as it is the story of Fancy Mosher, a twelve-year old Bay of…
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Death is Not the End: A Review of Patience by Daniel Clowes
Few artists have done more to elevate the status of comics in the public imagination than Daniel Clowes, and Patience, as befits a graphic novel billed as “a cosmic timewarp deathtrip to the primordial infinite of everlasting love,” is his longest and most ambitious work yet. It opens in 2012, as underemployed schlub Jack Barlow…