-
Changing the narrative on peace: A review of What We Talk About When We Talk About War
Reviewed in this essay: What We Talk About When We Talk About War, Noah Richler, Goose Lane Editions, 2012. George Grant wrote Lament for a Nation before official multiculturalism, before the Charter of Rights and Freedoms, before the liberalization of Canada had begun in earnest. But he understood that his preferred canon of national stories…
-
CanLit Canon Review #12: Harold Innis’s Empire and Communications
In an attempt to make himself a better Canadian, Craig MacBride is reading and reviewing the books that shaped this country. What is most remarkable about Harold Innis is his consistency through the years. Whether it’s his first book, The Fur Trade in Canada or, 20 years later, his last book, Empire and Communications, Innis is…
-
DNA poetry, thinking like Sherlock, and defining Toronto: Bookishness, Jan. 14, 2013
The little questions “What does Toronto even mean? What kind of city is it? What kind of place do we want it to be? That’s the big question, isn’t it?” – Edward Keenan, Some Great Idea. While you think about how you might answer the big question, try your hand at answering some little questions…
-
History, true and fictional: A review of poet Kate Cayley’s “When This World Comes to an End”
When This World Comes to an End By Kate Cayley Brick Books, February 2013 $20 A first book of poems is a beautiful thing. But while this is Kate Cayley’s first poetry volume, she is no newcomer to writing. Her short stories and poems have appeared in journals across the country, she has authored a young adult novel, The Hangman…
-
Public books: What Torontonians are reading at Union Station
As a recognized National Historical Site, a testament to Canadian urban beaux-arts style, and a committed travel hub, Toronto’s Union Station is an iconic public place. Despite said accolades, it is humble and mysterious, transformed day and night by its inhabitants, as a book is transformed by its beholders’ imaginations. As such, Union Station is…
-
Sex, Bugs, and Schizophrenia: A review of Poison Shy
Reviewed in this essay: Poison Shy by Stacey Madden. ECW Press, 2012. Sex, bugs, and schizophrenia form an unlikely trinity, it is true. And yet they converge with surprising semblance in Stacey Madden’s first novel, Poison Shy. Told through first-person retrospective narration, Poison Shy is the story of a love triangle between two heavy-drinking late…
-
Giant: A Witty Revolution
Reviewed in this essay: Giant by Aga Maksimowska. Pedlar Press, 2012. In 1988, Eastern Europe is on the brink of revolution. The citizens of Poland are weary from the stifling Communist management of their lives. Workers set in motion an unprecedented series of strikes that ripple across the country and ignite a slow but steady…
-
Bookishness: November 12, 2012
Worth more than a thousand words Litographs: the entire text of classic books printed on 24×36. Here’s Around the World in 80 Days: The Smithsonian home for wayward books Inside the Smithsonian’s Book Conservation Lab, where rare books are adopted into a loving family. #love “This bit of utilitarian Web ephemera, invented with functionality…
-
Instruments for the Elevation of the Soul: The Plight of the Book in Twenty-First Century Paris
Paris conjures up many images. Some visualize the Seine and arching footbridges; others see patisseries shaded by plane trees or a five a.m. street crêpe; others still, think of books. Writers and writing infuse the city’s marrow, from contemporary stars like Muriel Barbery to the 1920s icons Ernest Hemingway, Sylvia Beach, and James Joyce, and…
-
Yerevan, Armenia: World Book Capital
When Johanna Skibsrud’s The Sentimentalists won the Scotiabank Giller Prize in 2010, reviews in the Globe and Mail and the National Post commented at length about the beautiful book produced by Nova Scotia’s Gaspereau Press, where books are printed by hand, carefully bound, and often include letter-pressed dust jackets and patterned end papers. These volumes…